ORIGINAL WRITINGS ON SOUND BY Ros Bandt
1. THESES
1983 PHD, REPETITIVE MUSIC, Models and Processes in repetitive music 1960-1983 LINK
1974 MA Prelim thesis, JOHN CAGE, Chance operations and indeterminate procedures in the works of John Cage 1950-1970 LINK
2. BOOKS
Bandt, Ros. 2001, Sound Sculpture : Intersections in sound and sculpture in Australian Artworks (with CD), Craftsman House Fine Arts Publishing LINK CD track LINK Review
Bandt, Ros. Michelle Elizabeth Duffy, Dolly MacKinnon, 2009, Hearing Places: Sound, Place, Time and Culture (with CD), Cambridge Scholars Publishing LINK
Bandt, Ros. 1990, Creative Approaches to Interactive Technology in Sound Art (with cassette), Deakin University LINK
Bandt, Ros. 1985, Sounds in Space: Wind Chimes and Sound Sculptures, Victorian Arts Council and CAE LINK
3. BOOK CHAPTERS
Bandt, Ros. 2017. Chapter 6 The Music of Sounds and the Music of Things. Landy, Leigh and John Richards eds. Cambridge. UK.
Bandt, Ros. 2008. ‘Place as Acoustic Space’, Making Sense of Place, Eds, Vanclay, Higgins and Blackshaw, National Museum of Australia, pp.94-102, and DVD appearance.
Bandt, Ros. 2007. ‘Hearing Culture: Hania - Audible Moments from a Complicated Acoustic Palimpsest’, Hearing Places , eds. Bandt, Duffy and McKinnon, Cambridge Scholars Publishing, UK, pp. 309-319. CD tracks 22,23,24a,b.
Bandt, Ros. 2007. ‘Sonic Inscriptions:Sound Installation and Acoustic Art in Australia’ The Soundscapes of Australia, Time Place and Spirituality, ed Fiona Richards, Ashgate, UK, pp. 265-280.
Bandt, Ros. 2003. ‘Percy Grainger, ‘Kangaroo Pouch’ oscillator’, Treasures, (Chris McAuliffe and Peter Yule, eds.), University of Melbourne Press, pp. 234-5, 309.
Bandt, Ros. 2003. ‘Environmental Music’, A Companion to Music and Dance in Australia, ed. Nelson Kenny, Sydney: Currency Press, pp. 257-8.
Bandt, Ros. 2003. ‘Soundscape’, A Companion to Music and Dance in Australia, ed. Nelson Kenny, Sydney: Currency Press, pp. 627-9.
Bandt, Ros. 2003. ‘Sound Sculpture’, A Companion to Music and Dance in Australia, ed. Nelson Kenny, Sydney: Currency Press, pp.625-7.
Bandt, Ros. 2003. ‘Spatial Counterpoint.’ New Adventures in Sound Art, Ed. Nadine Thierault, Copeland, Canada: Sound Space pp. 2-5
Bandt, Ros. 2002. ‘Soundscape’ Getting the Measure, ed. Carmen Grostal, Footscray :Community Arts Centre, pp. 37-44, 55.
Bandt, Ros, 1997. ‘Experimental music’, Oxford Companion to Australian Music, ed. Warren Bebbington, pp.206-9.
Bandt, Ros. 1995. ‘Designing with chaos’, Zeitgleich, Klanginstallation und Medienkomposition im digitalen Zeitalter, Austria:Transit, (pp. 53-64, & 158-161. With CD ROM, track 2, the first international CD ROM of crossmedia art. LINK
Bandt, Ros. 1994. ‘Recent Approaches to Technology in Interactive Sound Installations, in Electronic Arts in Australia, Continuum, Vol. 8, ed. Nicholas Zurbrugg, pp. 44-58.
4. ARTICLES (Refereed)
2019 The Acoustic Sanctuary: A Dedicated Listening Place, Soundscape Journal Vol. 17 pp.11- 18 LINK
2017 Ros Bandt with Leah Barclay, 'Sonic Activism in the Antipodes' Paradox International Feminist Journal. Ends and Beginnings Volume 40 pp.94-104. LINK
2016 ‘Finding Medea’, Paradox: International Feminist Journal. Sound? Noise? Voice? Volume 37 pp.56-8
2015 'Creating Sounding Spaces, the Why factor?'spaces,’ Public Art Review #22, USA, pp. 23-26.
2013 ‘Artifice et Integration dans le creation des installations sonore et musique environnnementale in situ: Floating Glass et JaaraJaara Digital Acoustic Sanctuary, Published online by Universitaire 8, Paris
2012 ‘Bringing the Sounds Back to Etz Hayyim: an acoustic profile of a resurrected endangered space.” Soundscape , The Journal of Acoustic Ecologypp. 45-48. LINK Sound file LINK Video LINK
2008 ‘Hearing the Free Music: Percy Grainger, Australian visionary of the soundscape, creator of electro-acoustic Free Music and sound machines.’ Soundscape, The Journal of Acoustic Ecology, pp 9-14. LINK
2006 ‘ Sound Installation: blurring the boundaries of the eye, the ear, space and time.’ Contemporary Music Review: Issue 4 Musical Hybrids and Sonic Intermedia in Australia, pp 353-367. LINK
2005 ‘The Listening Place, Alma Park’s multi-cultural voices’, Soundscape, The Journal of Acoustic Ecology, 5(1), pp 39-42.
2003 ‘Sound design as sonic architecture’, Earshot, The U.K. Journal for Acoustic Ecology, Vol. 4, Ed. Rahma Khazan, pp 52-58.
2003 ‘The changing faces of Australian identity as heard through children’s voices in Kim’s Song,’ The Australia/Asia Foundation, Ed. Le Tuan Hung. LINK
2003 ‘Taming the wind: aeolian sound practices in Australasia,’ Organised Sound, International Journal of Music Technology, vol.8, no 2, Cambridge University Press, pp 195-204. LINK
2002-3 ‘Sounding remoteness, Flinders Island,’ Soundscape, The Journal of Acoustic Ecology, vol.3, no.2, & vol. 4, no.1, pp.46-8.
2000 ‘Sounding spaces, acoustic worlds: Australian sound designs for public spaces,’ Public Art Review #22, USA, pp. 23-26.
1997 ‘Voicing the Murray’, Mikropolyphonie on line journal
1997 ‘From acoustic ecology to cyberspace’ Counterpoint, VSMA Quarterly Journal, February, pp. 5-13
1995 ‘Sculpting sounds: an introduction to sound sculpture in Australia’ Art and Australia, vol. 32, No. 4 ,Winter, pp.536-547.
1995 ‘Sound sculpture as play sculpture’, International Play Journal. U.K. vol. 3, pp.63-79
1988 ‘The Musician and the Machine’, Meanjin, A Musical Offering, Jenny Lee (Ed), vol. 47, No. 2, pp. 274-80
5. ARTICLES (Non-Refereed, Selected List)
2015 ‘Soundwalks: Soundwalks and environmental sound recording, performed and interpreted in the Victorian Goldfields’, Australian Sound Archive, Australasian Sound Recording Association, No. 40, pp 74-78. LINK
2008 ‘Recording for experiential flexible sound installations, 1977-2007’, Australian Sound Archive, Australasian Sound Recording Association, No.34, pp 18-34.
2005 “Sounding Communities, Who’s speaking? Who’s listening,” Artworks Journal Issue 62 3D Symposium/discuss.document, disseminate.
2004. Sound Art and Sound Design in Australia, Filter, The Sound issue, The Australian Network for Art and technology, 51, Adelaide, pp 4-7.
2004 ‘Sound art reconsidered’, Sounds Australian editor Helen Lancaster,Journal of the Australian Music Centre No 64, pp 46-48.
2000 ‘Percy Grainger, the Soundscape and Electronic Music in 1938’ In a NutshellVol.8.No2 June, pp. 7-13.
1988 ‘A way of living, a way of listening, sound artist in residence for the Blue mountains festival, Performing Notes, ed Paul Carter, NSW Ministry, pp. 48-50. 2.1995 ‘Grainger’s free music and free music machines; a living tradition.’ Sounds Australian
1995 ‘Zeitgleich: a sound art event in Austria’, Sounds Australian Issue No 45, Autumn, pp .37-40.
6. DIGITAL RESEARCH WEBSITES
ASDP: The Australian Sound Design Project LINK
The Acoustic Sanctuary: an audio-visual calendar of the 7 seasons in 2013 of the box-iron bark forest. LINK
HEARING PLACES with Leah Barclay, sound environment Place intersections LINK Catalogue Link
7. ICAD KEYNOTE 2004
Sounding Public Space: Sound Artists in the Public Domain LINK